Baby Feet by Roger Bamber

Baby feet. The Guardian. 18 February 1993.

Baby J: On February 9 at Kings College Hospital, London,

To Anna and an unknown father (believed to have fair skin and blond hair),

A much loved son.

The story was that this child was one of the first of what is now a common practice – a single mother choosing to use an anonymous sperm donor in order to start her own family.

The pioneering mother chose not to be identified in any way, as in 1993 the practice still carried a considerable stigma. To portray the caring, sharing single mother Anna and her week old son ‘J’, I decided to hide both their identities by just showing the mum’s hands holding the baby’s feet.

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    This is Classique, at its longest edge the print will be 35.5 cm long with an overall length of 51cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 192 £

    This is Forté, at its longest edge the print will be 60cm long with an overall length of 77cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 372 £

    This is Alu-Forté, at its longest edge the print will be 60cm and floats on the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 372 £

    This is Alu-Grandé, at its longest edge the print will be 90cm and floats above the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 510 £
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    77cm longest edge
    77cm longest edge
    77cm longest edge
    77cm longest edge

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 95 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 115 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 130 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 165 £

    (Rest of the World £40)


    (Rest of the World £15)

About Roger Bamber

Roger Bamber’s graphic photographs are well known for their distinctive, often wryly humorous style and strong visual impact.

He trained in design, has been a photojournalist since 1965 and during his career his work has been published in every British national newspaper and many magazines.

He has twice been British Press Photographer of the Year and when he was travelling the world covering everything from wars to rock and roll he was twice News Photographer of the Year.

Bubbles by Roger Bamber

Bella the baby elephant at Chessington Zoo in 1970. Her keepers bought bubble kits to amuse her.. Bella, an Asian Elephant, born in 1968, plays with bubble kits at Chessington Zoo in 1970.  Bella was supplied to Chessington by Tyseley Pet Store, Birmingham. Bella died in May 1990.buy a photo , buy a picture, buy a picture of an elephant, buy a print, pachyderm, black and white, b/w  puy prints ,buy framed picture , buy a framed print.

 

The 40th of a Second by Roger Bamber

It is the 14th of June In 1958 and a 13-year-old boy stands anxiously on the platform of the Down-line at Grantham Railway Station. The imminent arrival of a train was eagerly awaited ..Clutching a Kodak Brownie Cresta ll , this was a not a passenger wishing to travel but a train spotter excited by steam engines.

photojournalism, buy photojournalism, buy a print, buy photography, buy a photograph, framed, charcoal frame, white frame, black frame, wall art, hang on the wall wallart, interior design, designers , interiors, wall, black and white, ian tyas , Getty images, Hulton collection, buy a gift, mothers day, fathers day , gift, present buy Northcliffe collection print

Since 1988 he has been part of the Guardian’s celebrated photographic team and his work with them has won him numerous awards for feature photography.

He uses natural light wherever possible and now he is putting some of his favourite images into his portfolio here. He hopes you enjoy them as much as he enjoyed messing about with shapes and light to create them.

About Roger Bamber

Roger Bamber’s graphic photographs are well known for their distinctive, often wryly humorous style and strong visual impact.

He trained in design, has been a photojournalist since 1965 and during his career his work has been published in every British national newspaper and many magazines.

He has twice been British Press Photographer of the Year and when he was travelling the world covering everything from wars to rock and roll he was twice News Photographer of the Year.

The 40th of a Second by Roger Bamber

It is the 14th of June In 1958 and a 13-year-old boy stands anxiously on the platform of the Down-line at Grantham Railway Station. The imminent arrival of a train was eagerly awaited ..Clutching a Kodak Brownie Cresta ll , this was a not a passenger wishing to travel but a train spotter excited by steam engines.

photojournalism, buy photojournalism, buy a print, buy photography, buy a photograph, framed, charcoal frame, white frame, black frame, wall art, hang on the wall wallart, interior design, designers , interiors, wall, black and white, ian tyas , Getty images, Hulton collection, buy a gift, mothers day, fathers day , gift, present buy Northcliffe collection print

Since 1988 he has been part of the Guardian’s celebrated photographic team and his work with them has won him numerous awards for feature photography.

He uses natural light wherever possible and now he is putting some of his favourite images into his portfolio here. He hopes you enjoy them as much as he enjoyed messing about with shapes and light to create them.

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