Beyond The Deepening Shadow II by Jeremy Selwyn

Beyond The Deepening Shadows at The Tower of London – Picture Jeremy Selwyn 05/11/2018

This stunning selection of photos show the Tower of London’s Armistice memorial lights in all their beauty.

Nightly ceremonies are taking place until Remembrance Sunday when 10,000 flames are lit by hand in the empty moat encircling the Tower.

  • Print Only

    From £95

    • £
    Framed / Mounted

    From £192

    • £

    This is Classique, at its longest edge the print will be 35.5 cm long with an overall length of 51cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 192 £

    This is Forté, at its longest edge the print will be 60cm long with an overall length of 77cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 372 £

    This is Alu-Forté, at its longest edge the print will be 60cm and floats on the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 372 £

    This is Alu-Grandé, at its longest edge the print will be 90cm and floats above the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 510 £
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    77cm longest edge
    77cm longest edge
    77cm longest edge
    77cm longest edge

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 95 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 115 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 130 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 165 £

    (Rest of the World £40)


    (Rest of the World £15)

About Jeremy Selwyn

Press photographer Jeremy Selwyn has worked for the Evening Standard for nearly thirty years. His job has taken him around the world attending great sporting moments and history making news events.

But it is his daily observations of London life which will resonate most with the readers of the Evening Standard

He has photographed the changing faces in Downing Street as Prime Ministers come and go and his multi award winning career was recognised again last year when he was recognised as the National Newspaper Photographer of the Year with his dramatic image of Grenfell Tower ablaze.

Jeremy said: “As a photographer your job is to record history as it happens but this was one night, a night where so many people lost their lives, that I really don’t want to remember. So, although it’s a huge accolade, it’s tinged with sadness for me.”

Other recent work of Jeremy Selwyn has proved very popular with readers of the Evening Standard when the moat of The Tower of London was filled with poppies to commemorate those fallen during the first world war.

The installation, Beyond The Deepening Shadow,was to mark 100 years since the close of the First World War.

About Jeremy Selwyn

Press photographer Jeremy Selwyn has worked for the Evening Standard for nearly thirty years. His job has taken him around the world attending great sporting moments and history making news events.

But it is his daily observations of London life which will resonate most with the readers of the Evening Standard

He has photographed the changing faces in Downing Street as Prime Ministers come and go and his multi award winning career was recognised again last year when he was recognised as the National Newspaper Photographer of the Year with his dramatic image of Grenfell Tower ablaze.

Jeremy said: “As a photographer your job is to record history as it happens but this was one night, a night where so many people lost their lives, that I really don’t want to remember. So, although it’s a huge accolade, it’s tinged with sadness for me.”

Other recent work of Jeremy Selwyn has proved very popular with readers of the Evening Standard when the moat of The Tower of London was filled with poppies to commemorate those fallen during the first world war.

The installation, Beyond The Deepening Shadow,was to mark 100 years since the close of the First World War.