Match Wood On The Beach by Richard Lappas

Match wood washed up on beach after cargo ship grounding.

  • Framed / Mounted

    From £192

    • £

    Print Only

    From £95

    • £

    This is Classique, at its longest edge the print will be 35.5 cm long with an overall length of 51cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 149 £

    This is Forté, at its longest edge the print will be 60cm long with an overall length of 77cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 292 £

    This is Alu-Forté, at its longest edge the print will be 60cm and floats on the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 310 £

    This is Alu-Grandé, at its longest edge the print will be 90cm and floats above the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 425 £
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    77cm longest edge
    77cm longest edge
    77cm longest edge
    77cm longest edge

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 79.166 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 95.833 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 108.333 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 137.5 £

    (Rest of the World £40)


    (Rest of the World £15)

About Richard Lappas

Photojournalist Richard Lappas began his media career at the Keystone Press Agency in the heart of Fleet Street in the early 1970s as a caption writer working on Features and eventually News.

From there he was invited to take up a post with the leading west country news and picture agency Devon News Service based in Exeter which eventually moved into Cornwall, Somerset , Dorset & Bristol

A decade later, Richard, having learnt about all aspects of editorial photography, syndication,news, features and sport, he branched out on his own and eventually built his own agency covering the south west of England.

Since the early 1980,s, Richard has won a number of prestigious awards, become a qualified University & College lecturer and written his own autobiography about his life in the national newspaper industry.

Richard frequently gives talks and lectures on news gathering as well as photo journalism. He is an active member of NAPA(National Association of Press Agencies), a member of the BAJ and works as a volunteer for the Devon Air Ambulance Trust and continues to work for a number of the national newspaper titles.

About Richard Lappas

Photojournalist Richard Lappas began his media career at the Keystone Press Agency in the heart of Fleet Street in the early 1970s as a caption writer working on Features and eventually News.

From there he was invited to take up a post with the leading west country news and picture agency Devon News Service based in Exeter which eventually moved into Cornwall, Somerset , Dorset & Bristol

A decade later, Richard, having learnt about all aspects of editorial photography, syndication,news, features and sport, he branched out on his own and eventually built his own agency covering the south west of England.

Since the early 1980,s, Richard has won a number of prestigious awards, become a qualified University & College lecturer and written his own autobiography about his life in the national newspaper industry.

Richard frequently gives talks and lectures on news gathering as well as photo journalism. He is an active member of NAPA(National Association of Press Agencies), a member of the BAJ and works as a volunteer for the Devon Air Ambulance Trust and continues to work for a number of the national newspaper titles.