The Queen by Richard Lappas

Queenie grabs a cheeky half.

  • Print Only

    From £95

    • £
    Framed / Mounted

    From £192

    • £

    This is Classique, at its longest edge the print will be 35.5 cm long with an overall length of 51cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 192 £

    This is Forté, at its longest edge the print will be 60cm long with an overall length of 77cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 372 £

    This is Alu-Forté, at its longest edge the print will be 60cm and floats on the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 372 £

    This is Alu-Grandé, at its longest edge the print will be 90cm and floats above the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 510 £
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    77cm longest edge
    77cm longest edge
    77cm longest edge
    77cm longest edge

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 95 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 115 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 130 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 165 £

    (Rest of the World £40)


    (Rest of the World £15)

About Richard Lappas

Photojournalist Richard Lappas began his media career at the Keystone Press Agency in the heart of Fleet Street in the early 1970s as a caption writer working on Features and eventually News.

From there he was invited to take up a post with the leading west country news and picture agency Devon News Service based in Exeter which eventually moved into Cornwall, Somerset , Dorset & Bristol

A Bloody Nose For The Prince by Richard Lappas

Art of photojournalism limited editions for sale from the collections of Northcliffe and Hulton Getty and the Evening Standard. For sale as print c-type or giclee art for your wall for office or home. wall art.  framed pictures in quality frames. Delivered to your door. Each photo has a certificate and caption and a biography of the photographer

A Bloody Nose For The Prince; H.R.H. Prince Edward in training to become a Green Beret.In 1986, on leaving university, Prince Edward joined the Royal Marines who had paid £12,000 towards his tuition at Cambridge University on condition of future service.In January 1987, however, Prince Edward dropped out of the commando course after having completed just one-third of the 12-month training. Richard’s full story can be read here:

photojournalism, buy photojournalism, buy a print, buy photography, buy a photograph, framed, charcoal frame, white frame, black frame, wall art, hang on the wall wallart, interior design, designers , interiors, wall, black and white,  buy a gift, mothers day, fathers day, gift, present buy Richard Lasppas print

 

A decade later, Richard, having learnt about all aspects of editorial photography, syndication,news, features and sport, he branched out on his own and eventually built his own agency covering the south west of England.

Since the early 1980,s, Richard has won a number of prestigious awards, become a qualified University & College lecturer and written his own autobiography about his life in the national newspaper industry.

Richard frequently gives talks and lectures on news gathering as well as photo journalism. He is an active member of NAPA(National Association of Press Agencies), a member of the BAJ and works as a volunteer for the Devon Air Ambulance Trust and continues to work for a number of the national newspaper titles.

About Richard Lappas

Photojournalist Richard Lappas began his media career at the Keystone Press Agency in the heart of Fleet Street in the early 1970s as a caption writer working on Features and eventually News.

From there he was invited to take up a post with the leading west country news and picture agency Devon News Service based in Exeter which eventually moved into Cornwall, Somerset , Dorset & Bristol

A Bloody Nose For The Prince by Richard Lappas

Art of photojournalism limited editions for sale from the collections of Northcliffe and Hulton Getty and the Evening Standard. For sale as print c-type or giclee art for your wall for office or home. wall art.  framed pictures in quality frames. Delivered to your door. Each photo has a certificate and caption and a biography of the photographer

A Bloody Nose For The Prince; H.R.H. Prince Edward in training to become a Green Beret.In 1986, on leaving university, Prince Edward joined the Royal Marines who had paid £12,000 towards his tuition at Cambridge University on condition of future service.In January 1987, however, Prince Edward dropped out of the commando course after having completed just one-third of the 12-month training. Richard’s full story can be read here:

photojournalism, buy photojournalism, buy a print, buy photography, buy a photograph, framed, charcoal frame, white frame, black frame, wall art, hang on the wall wallart, interior design, designers , interiors, wall, black and white,  buy a gift, mothers day, fathers day, gift, present buy Richard Lasppas print

 

A decade later, Richard, having learnt about all aspects of editorial photography, syndication,news, features and sport, he branched out on his own and eventually built his own agency covering the south west of England.

Since the early 1980,s, Richard has won a number of prestigious awards, become a qualified University & College lecturer and written his own autobiography about his life in the national newspaper industry.

Richard frequently gives talks and lectures on news gathering as well as photo journalism. He is an active member of NAPA(National Association of Press Agencies), a member of the BAJ and works as a volunteer for the Devon Air Ambulance Trust and continues to work for a number of the national newspaper titles.

Related Products

Off-piste Skiing by Chris Ware

Art of photojournalism limited editions for sale from the collections of Northcliffe and Hulton Getty and the Evening Standard. For sale as print c-type or giclee art for your wall for office or home. wall art.  framed pictures in quality frames. Delivered to your door. Each photo has a certificate and caption and a biography of the photographer

1966: Off-piste skiers 12,000 feet up at Corvatsch near St Moritz, Switzerland. Corvatsch is a mountain ski area accessible from the villages of Silvaplana  and St Moritz. According to Wikipedia ”Although St Moritz received some visitors during the summer, the origins of the winter resort only date back 154 years ago to September 1864, when a St. Moritz hotel pioneer made a wager with four British summer guests: they should return in winter and, in the event that the village was not to their liking, he would reimburse their travel costs”

(Photo by Chris Ware/Keystone Features/Getty Images)

Sandstorm In Egypt by Herbert Mason

Suez Canal 1956. Two British soldiers struggle in handkerchief sand-masks in a sandstorm near the Suez Canal in Egypt. The storm is caused by the Khamsin, a warm strong, long-lasting wind from the desert. The Khamsin, Arabic for fifty, blows at intervals for about 50 days from March to June. In 1956, Suez Canal was nationalised by the Egyptian president Gamal Abdel Nasser so Israel, the United Kingdom, and France invaded Egypt to regain Western control of the canal. This photograph is from the huge Northcliffe collection