The Watch by John Rogers

Whist covering the Miners strike in Sheffield during the 80’s I found myself looking down on the police lines at the base of the NUM HQ. Arthur Scargil luckily leaned from a window and began talking through a megaphone causing all the PC’s to look up, funny that nearly all looked like John Cleese at that time.

  • Print Only

    From £95

    • £
    Framed / Mounted

    From £192

    • £

    This is Classique, at its longest edge the print will be 35.5 cm long with an overall length of 51cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 192 £

    This is Forté, at its longest edge the print will be 60cm long with an overall length of 77cm framed.

    It is printed on Fuji Lustre photographic paper and will have a white mount surround with solid wood frame.

    • 372 £

    This is Alu-Forté, at its longest edge the print will be 60cm and floats on the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 372 £

    This is Alu-Grandé, at its longest edge the print will be 90cm and floats above the surface of your wall.

    It is printed directly onto aluminium with a super glossy finish and comes with mountings.

    • 510 £
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    51cm X 41.5cm
    77cm longest edge
    77cm longest edge
    77cm longest edge
    77cm longest edge

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 95 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 115 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 130 £

    At Fleet Street's Finest we sell C-Type prints and Alumini ChromaLuxe. Digital C-Type photographic prints use similar exposure techniques to 'dark room' analogue developing techniques but without the need for a negative.

    Equally the enlarging, focusing and exposure to the paper is managed by a computer using lasers or LEDs rather than a bulb. The following process is still very much the same with the paper being processed in chemical developer, followed by a bleech fix before a wash to remove the processing chemicals.

    A C-Type print very much has its origins in traditional photographic processes but is originated from a digital file rather than a negative. Though, obviously, some of our vintage images are from scans of negatives.

    • 165 £

    (Rest of the World £40)


    (Rest of the World £15)

About John Rogers

John Rogers grew up near the Lace markets in Nottingham, now living in London, I bought my first camera at the age of 12 and a book by American photographer Andreas Feininger ‘The Complete Photographer’ which “became my bible”.

After working an NCTJ apprenticeship at the Eastern Daily Press and Evening news in Norwich,he moved to freelance in London mainly for the Daily Express and The Sun Newspapers, winning News Photographer of the Year in 1983 He became a staff photographer at the Daily Express working with some of the greatest press photographers in the world. Shooting many world exclusives including the first Picture of ’The Yorkshire Ripper’ Peter Sutcliffe, after his arrest and on the first day of his trial at the Old Baily.

He covered The Lebanon war,the Iranian and Libyan embassy sieges capturing several more world exclusives after which was the first photographer to be asked to join the technologically advanced colour Newspaper ‘Today’ launched by Eddie Shah “It gave me the opportunity to break the mould that press photographers could only shoot in black and white”.

He returned to freelancing to exploit his new talents working for most of the Sunday Supplement Magazines including a 6 year spell travelling the world for The Sunday Mail ‘You Magazine, visiting most continents in the world and more than 200 trips abroad.

About John Rogers

John Rogers grew up near the Lace markets in Nottingham, now living in London, I bought my first camera at the age of 12 and a book by American photographer Andreas Feininger ‘The Complete Photographer’ which “became my bible”.

After working an NCTJ apprenticeship at the Eastern Daily Press and Evening news in Norwich,he moved to freelance in London mainly for the Daily Express and The Sun Newspapers, winning News Photographer of the Year in 1983 He became a staff photographer at the Daily Express working with some of the greatest press photographers in the world. Shooting many world exclusives including the first Picture of ’The Yorkshire Ripper’ Peter Sutcliffe, after his arrest and on the first day of his trial at the Old Baily.

He covered The Lebanon war,the Iranian and Libyan embassy sieges capturing several more world exclusives after which was the first photographer to be asked to join the technologically advanced colour Newspaper ‘Today’ launched by Eddie Shah “It gave me the opportunity to break the mould that press photographers could only shoot in black and white”.

He returned to freelancing to exploit his new talents working for most of the Sunday Supplement Magazines including a 6 year spell travelling the world for The Sunday Mail ‘You Magazine, visiting most continents in the world and more than 200 trips abroad.

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